Upcoming Lectures/Panels

ecoartspace NYC - amy lipton











September 24, 2009
Community Roundtable on Habitat for Artists Project
Samuel Dorsky Museum of Art
State University of New York - New Paltz

October 3, 2009
Q and A with Habitat for Artists Collective
Solar One (East River at 23rd St)
New York, NY

October 10, 2009
Strategies for Success in Challenging Times
International Sculpture Center Annual Conference
Grounds for Sculpture, Hamilton, NJ


ecoartspace WEST - patricia watts











September 23, 2009
Art & Ecology: An International Perspective
Laney College, Oakland
EcoArt Matters

September 29, 2009
Art & Ecology: An International Perspective
School of Art and Design
San Jose State University, California
Tuesday Night Lecture Series

November 2, 2009
Art & Ecology: An International Perspective
Land Art: Art Nature Community
University of New Mexico

November 12th
Modesto Junior College
Civic Engagement Project (CEP)
Film and Lecture Series
Edward Burtynsky, Manufactured Landscapes

November 17, 2009
Art & Ecology in the Santa Monica Mountains
Culture in the Canyon: Chautauqua Series
Temescal Gateway Park, Pacific Palisades, California
Mountains Conservancy of the Santa Monica Mountains

November 24th, 2009
Hybrid Fields: Food and Art
Southern California Institute of Architecture
Community Design Program
Watts Cooking: Imagining an Accessible Food Infrastructure

January 28, 2010
Environmental Aesthetics: Artists Addressing Environmental Issues
Epiphany West 2010 Visualizing Sustainability Conference
Co-sponsored by Church Divinity School of the Pacific and
Center for the Arts, Religion and Education
Berkeley, California

Ecoartspace West: Report from Grand Canyon National Park – South Rim by Patricia Watts

Last month I was invited to participate on an artist selection panel for the Grand Canyon South Rim Artist-in-Residency Program. This AIR program is only a couple years old and was inspired by the North Rim program, which began six years ago and has placed traditional representational painters in residence. The new AIR coordinator for the South Rim program, Rene Westbrook, is a contemporary artist and member of The Caravan Project, which is a collaborative of artists who have performed mobile art shows inside and outside trailers since 1992. Westbrook was interested to bring a more diverse range of artistic media to the program this year, a goal that was apparently supported by the other panelists including a local artist, executive director of a chamber orchestra, a publications specialist for the park, and current artist in residence. Together we selected 12 artists (out of 62) who have been invited to come to the Grand Canyon between October 2009 and September 2010 and spend up to three weeks creating new work. Each of these artists will be asked to donate one piece inspired by the residency to become part of the NPS Collection.



Another important goal was to select artists who showed an interest in addressing one or all of the Park’s Interpretive Themes, including but not limited to: Water, Geology, Biology, Conservation, Inspiration, and Native American Connections. Westbrook felt that since recent programming at NPS has encouraged dialogue around the advocacy of environmental issues like climate change, water rights and indigenous people’s rights that it would be relevant to include more conceptual or content driven art that may have previously been considered too political. This is the new wave of Parks management, which I understand the superintendent at the Grand Canyon has embraced.

Of the 12 artists selected there were two landscape painters (Susan Klein and David Alexander), three photographers (Kim Henkel, Michael Miner and Leah Sobsey), a jeweler (Erica Stankwytch Bailey), a writer (Dana Wildsmith), a yodeler (Randy Erwin – Cowboy Randy), and four multimedia artists (Bridget Batch and Kevin Cooley, Andrew Demirjian, and Aaron Ximm). Kim Henkel proposed to do a pinhole photography workshop with visitors at the park and Leah Sobsey solar prints of plants, which looked like they would be a valuable addition to the NPS collection. And, believe it or not, I was quite taken with the potential of Cowboy Randy’s proposal to create new yodels that reflect the Park Themes! Bridget Batch and Kevin Cooley, a husband/wife collaboration proposed to engage the Native American population in a photo/film documentary, a very contemporary ethnographic portrait.

Of particular interest to me were two sound artists, Andrew Demirjian and Aaron Ximm, who included proposals to do audio postcards from the Grand Canyon. There is such potential to engage the elemental and architectural features at this site that these more conceptual artists, I believe, will be better able to actively engage a captive audience with temporal interventions in the landscape. Also, this more media driven work can also be experienced online for those who cannot make the trip to the “big ditch” as the locals call it. Both artists will be in residence during the peak tourist season at the Park next year.


Some interesting factoids about the Grand Canyon:

• Grand Canyon National Park is located in of one the cleanest remaining pockets of air in the United States and is a Class I area.
• Legislation passed in 1975 to enlarge Grand Canyon National Park contained the first-ever clause mandating the federal protection of “natural quiet and experience.”
• Although Grand Canyon reveals rocks ranging from 270 to 1,840 million (1.8 billion) years old, the landscape is relatively young, having been sculpted in just the last 5-6 million years.
• The vastness of its landscape—an average depth of 4,000 feet, width of 10-18 miles, and a length of 277 river miles—contains a seemingly infinite system of colorfully sculptured plateaus, mesas, buttes, cliffs, slopes, ridgelines, and side canyons.
• The United Nations Educational, Scientific, and Cultural Organization (UNESCO) designated Grand Canyon National Park as a World Heritage Site in 1979, recognizing it as a place of universal value under natural world heritage site criteria to be preserved as a part of the heritage of all peoples.

The South Rim National Park gets approximately 4.5 million visitors a year, mostly from Europe and Asia. It definitely felt like visiting a foreign country.


From Left to Right (AIR Jurors): Rene Westbrook, Burt Harclerode, Patricia Watts, Kim Buchheit, Richard Chalfant, and Tom Pittenger.
Art from Top to Bottom: Detail of book cover The Secret History of Yodeling Around the World by Bert Plantenga which includes Cowboy Randy, Solar print by Leah Sobsey, Pinhole photograph by Kim Henkel, Sound installation by Aaron Ximm (the walls are listening).